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An Exhibition Prepared by Guest Curator Adriana A. Davies, C.M., Cavaliere d’Italia, Ph.D.
Adriana A. Davies, Order of Canada and Cavaliere d’Italia recipient, was born in Italy, grew up in Canada and has BA and MA degrees from the University of Alberta, and a doctorate from the University of London, England. She has worked as a writer, editor, curator, fine and decorative arts specialist, and cultural executive director. After completing her PhD in London, she focused on fine and decorative arts work. She researched one-third of the Collins Encyclopedia of Antiques (Random House in the US) and also compiled two volumes of The Dictionary of British Portraiture at the National Portrait Gallery in London. She was part of the curatorial team that developed Queen Elizabeth, the Queen Mother’s 80th Birthday exhibit (1980), which travelled to Canada. She assisted curator David Goa for his major exhibit titled Anno Domini: Jesus Through the Centuries at the Provincial Museum of Alberta (2000). She not only contributed a series of essays but also arranged for loans from British collections. Davies also curated the exhibit titled J. B. Taylor and the Idea of Mountains for the Whyte Museum and Gallery of the Canadian Rockies in Banff and also published From Realism to Abstraction: The Art of J. B. Taylor, a biography and catalogue raisonné. She has also written biographies for Taylor and J. B. Glyde, the founding chair of the Department of Fine Arts at the University of Alberta, for the Dictionary of Canadian Biography. With Ron Ulrich, Director of the Fernie Museum, she curated an exhibit and also produced a companion book titled The Rise and Fall of Emilio Picariello. Both received awards from BC Heritage. Other publications include The Frontier of Patriotism: Alberta and the First World War (co-editor and contributor); From Sojourners to Citizens: Alberta’s Italian History; poetry anthology Changing My Skin: Dark Elegies and Other Poems; and memoir My Theatre of Memory: A Life in Words.
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Sveva Caetani: Her Life and Art exhibition was co-curated by historian and fine and decorative arts specialist Adriana A. Davies, and artist and former Caetani Cultural Centre Chair aj jaeger. It draws on the former’s biography and catalogue raisonné titled Sveva Caetani’s Recapitulation Series: From Medieval Mysticism to the Space Age, published by Guernica Editions in 2026.
The exhibition features a group of paintings in the Recapitulation Series deal with the family trauma and how Sveva came to terms with it through a Jungian journey into her subconscious that allowed her to process the pain. The result is a number of compelling paintings featuring a range of symbolism that Sveva described as follows: “Most people are used to images . . . the surrealism of Salvador Dali . . . limp watches . . .pianoforte with breasts, or something like that . . . and they laugh at it, they don’t really take the symbolism very seriously. My symbolism has always been serious, and therefore, people find it frightening.”
…The paintings in this exhibition focus on the invented “personal mythology” of a forever-happy family that survived all of the slings and arrows of outrageous fortune. The exhibit focuses on 12 of the 47 paintings in the series that most closely reflect the ways in which she transformed personal pain into compelling art…